lostlives:

Written on reverse: “Dig those crazy earrings.”
Stamped: 587D

lostlives:

Written on reverse: “Dig those crazy earrings.”

Stamped: 587D

my room is full of awesome things

my room is full of awesome things

You know that moment when you’re reading a book and you just have to stop and bite your lip and squeal or sigh or close your eyes and wrinkle your nose and forehead and press the book against your heart and just like sit there and try to soak up the gorgeous literature via osmosis?

That’s my favorite part of reading. 

(Source: tommyshawsboots)

lacigreen:

youcantgetamanwithagun:

avahyped:

i want to buy this for every woman who’s ever handed me cash from their sweaty boob in the bar.

This is such a good idea!

…….i need this in my life

lacigreen:

youcantgetamanwithagun:

avahyped:

i want to buy this for every woman who’s ever handed me cash from their sweaty boob in the bar.

This is such a good idea!

…….i need this in my life

holy fuck i’m 22 years old.

can i just go back to being a teenager? i’m not ready to have responsibilities.

lacigreen:

i just like people.

i’ve been thinking about sexual identity a lot recently.

selfhatehipster:

theamazingadventuresofspider-guy:

viva-machiaveli:

suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography
By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.
Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.
This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:
As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

AGREE

Woah.

yesyesyyesyesyes

selfhatehipster:

theamazingadventuresofspider-guy:

viva-machiaveli:

suicideblonde:

INGLOURIOUS BASTERDS Fits Perfectly into Quentin Tarantino’s Movie Universe and Influences the Entire Filmography

By now, most Quentin Tarantino fans are aware of the connections interlaced throughout all of his films. John Travolta’s Vincent Vega in Pulp Fiction is the brother of Michael Madsen’s Vic Vega in Reservoir Dogs, Harvey Keitel’s Mr. White worked with Alabama from True Romance, the plot basis for Kill Bill is described as the synopsis for a TV series in Pulp Fiction, etc.

Now the epiphany that Eli Roth’s character of Donny Donowitz aka “The Bear Jew” in Inglourious Basterds is the father of the movie producer Lee Donowitz in True Romance has inspired a truly mind-blowing theory that the rest of the films (chronologically speaking) in Tarantino’s filmography take place in a world where [Inglorious Basterds spoiler] World War II came to an end when Adolf Hitler was brutally murdered in a movie theater by the Basterds.

This initial connection was brought up in an article on Cracked, but a poster on Reddit (via David Chen’s Twitter) has more eloquently summed up what this means for Tarantino’s movieverse:

As it turns out, Donny Donowitz, ‘The Bear Jew’, is the father of movie producer Lee Donowitz from True Romance – which means that, in Tarantino’s universe, everybody grew up learning about how a bunch of commando Jews machine gunned Hitler to death in a burning movie theater, as opposed to quietly killing himself in a bunker. Because World War 2 ended in a movie theater, everybody lends greater significance to pop culture, hence why seemingly everybody has Abed-level knowledge of movies and TV. Likewise, because America won World War 2 in one concentrated act of hyperviolent slaughter, Americans as a whole are more desensitized to that sort of thing. Hence why Butch is unfazed by killing two people, Mr. White and Mr. Pink take a pragmatic approach to killing in their line of work, Esmerelda the cab driver is obsessed with death, etc. You can extrapolate this further when you realize that Tarantino’s movies are technically two universes – he’s gone on record as saying that Kill Bill and From Dusk ‘Til Dawn take place in a ‘movie movie universe’; that is, they’re movies that characters from the Pulp Fiction, Reservoir Dogs, True Romance, and Death Proof universe would go to see in theaters. (Kill Bill, after all, is basically Fox Force Five, right on down to Mia Wallace playing the title role.) What immediately springs to mind about Kill Bill and From Dusk ‘Til Dawn? That they’re crazy violent, even by Tarantino standards. These are the movies produced in a world where America’s crowning victory was locking a bunch of people in a movie theater and blowing it to bits – and keep in mind, Lee Donowitz, son of one of the people on the suicide mission to kill Hitler, is a very successful movie producer. Basically, it turns every Tarantino movie into alternate reality sci fi. I love it so hard.

AGREE

Woah.

yesyesyyesyesyes

Female toplessness is legal in a lot of places in the US (although not where I live), and I’d be meeting the letter of the law with a couple of Band-aids. But I have a gut feeling that if I go anywhere that there are people—and particularly anywhere there are children—nobody’s going to be too happy about my Band-aids. The enforcement is social; women just don’t go around topless in the US.

It bothers me because it’s unequal, but it also bothers me in its implications: that my body is inherently sexual, and a man’s body isn’t. It feels like men are being viewed through the first-person lens of “it’s nice to feel the sun on my skin, and I don’t mean anything by it” and women are being viewed through the distinctly third-person lens of “it’s inappropriate for me, a heterosexual man, to see her sexy parts.” It ignores the experiences of people who are turned on by male chests and somehow manage to contain themselves when they see one.

casually blogging in a yukata. sup.
i’m slowly going through the process of cleaning my room and sorting through my stuff to see what i’m going to sell/donate. found this at the back of my closet. wooo.
today tyna came over and lay on my bed and i told her to read Lost At Sea because it reminded me of her and while she did that i read a book on buddhism and then she fell asleep for a bit and when she woke up i made her watch degrassi and she got really into it.
and then shane knocked on my window to pick tyna up but first we had a nice conversation with him leaning in through my window and i really like it when people do that. b used to come in through my window all the time. i miss that.
but yes, good day overall.

casually blogging in a yukata. sup.

i’m slowly going through the process of cleaning my room and sorting through my stuff to see what i’m going to sell/donate. found this at the back of my closet. wooo.

today tyna came over and lay on my bed and i told her to read Lost At Sea because it reminded me of her and while she did that i read a book on buddhism and then she fell asleep for a bit and when she woke up i made her watch degrassi and she got really into it.

and then shane knocked on my window to pick tyna up but first we had a nice conversation with him leaning in through my window and i really like it when people do that. b used to come in through my window all the time. i miss that.

but yes, good day overall.

badcgijosh:

I’m a model Canadian citizen. I pay my taxes on time, I vote, I stand during the national anthem, and I served my mandatory four years as a member of Broken Social Scene

imaginary-lady:

My favourite photographers ♥ Warren du Preez and Nick Thornton Jones

(Source: gif-couture)

fuckyeahtattoos:

martins legs.  by speck osterhout (me!) at mastermind ink, chicago.   www.catsgethigh.tumblr.com

fuckyeahtattoos:

martins legs.  by speck osterhout (me!) at mastermind ink, chicago.   www.catsgethigh.tumblr.com